Owners and patrons alike have a strong appetite for outdoor dining at coastal restaurants

By Pam George  |  Photographs by This email address is being protected from spambots. You need JavaScript enabled to view it.
From the July 2016 issue

culinarycoast Our Content - Delaware Beach Life - Results from #72In 1974, the Back Porch Cafe opened in a former hotel with a backyard. Fresh from a tour of Europe, where people dine alfresco in all kinds of weather, owners Victor Pisapia, Libby Fisher and Fisher’s husband, Ted, envisioned dining under the stars at their restaurant. They built a deck on the ground and a second-level deck with a stair access. Guests were initially perplexed. Why would they want to forsake air conditioning to eat with the bugs? Over the years, however, the alfresco dining option has “put us on the map,” says Keith Fitzgerald, who now owns the restaurant with Marilyn Spitz. The 70 seats outside are in high demand.

Alfresco dining has become a popular addition to any restaurant’s services. “People love the fresh air and the relaxed atmosphere,” says Meg Hudson, owner of Lula Brazil in Rehoboth Beach. Not surprisingly, outdoor space for dining is a competitive advantage at the beach. Located within the Bethany Beach Ocean Suites Residence Inn, 99 Sea Level has outdoor seats with views of the boardwalk and ocean. “Since opening last July, the response has been overwhelmingly positive,” says Donna Serafini, director of operations. “Hearing the ocean, feeling the warm summer breeze while eating good food is very rare.”

But offering outdoor dining has its challenges, namely the dismal weather that plagued the coast this past spring. Managers need to juggle reservations so they’re not caught with 70 diners in a squall. They must also make smart staffing decisions.

With more and more cars in coastal Sussex, it’s no small challenge to keep them moving

By Lynn R. Parks  |  Photograph by This email address is being protected from spambots. You need JavaScript enabled to view it.
From the July 2016 issue

traffic Our Content - Delaware Beach Life - Results from #72One afternoon last summer, Lewes resident Nadine Wick was driving into town on Savannah Road. She was able to move along at the speed limit, but cars headed out of town were facing a different situation. They were just creeping along, in a stop-and-go line that stretched from Five Points to Shields Elementary School, about 1.7 miles. 

“That just blew my mind,” Wick says. “That kind of thing should never happen.”

Wick is a member of the executive board of Lewes Partnership for Managing Growth, which aims to preserve the bayside town’s beauty, prosperity and quality of life, as well as the roads that lead to its historic center. In the group’s recent objection to a proposed shopping center at the intersection of Gills Neck Road and Kings Highway, it asserted that increased traffic would be one of several problems created by the project. 

“Traffic on the eastern side of Sussex County is a mess,” Wick says. “We have developed and developed with no thought of infrastructure. And we continue to build! Traffic is going to get so bad that people won’t want to live here or visit here. That’s on its way — no question.”

Lois Powell hit it big with a 1950s all-girl group — and she’s still sharing her singing talent

By Lynn R. Parks  |  Photograph by Carolyn Watson
From the July 2016 issue

musicmaker Our Content - Delaware Beach Life - Results from #72As the nuns saw it, the liturgical music of the Catholic Church and rhythm and blues were worlds apart. Lois Harris Powell, a 1958 graduate of St. Helena’s High School for Girls in the Bronx, N.Y., remembers Sister Richard Mary telling students that she “couldn’t understand this skip-and-jump music.”

But the kids understood it. Lois listened to R&B and what soon would be called doo-wop every chance she got a radio on in her bedroom. “I had to sneak-listen, because that music wasn’t allowed in our house,” she recalls. 

And Lois and four of her friends took every opportunity they could to get together and sing the new harmonies of the day. 

The girls were all members of the choir at St. Anthony of Padua Church in the Bronx, where they had gone to grade school. “We had choir rehearsal one night a week and afterward, we would stand outside and sing,” Powell says. Their sound was based on the classical training that they had in church, which included Gregorian chant, as well as the music that they heard groups of boys singing on street corners.